The Palette Museum Project
The Palette Museum Project
The Palette Museum is now open in the Academies of Decorative Painting website. Click on the tab at the top of the page to visit the museum.
The museum website has been built by the Heritage team and Francois Rouillay is the first curator for 2010/2011. For those of you who don’t know Francois, he is Veronique’s husband – our Heritage Designer from France.
The museum has two values:
1. To love to paint and admire Decorative Painting.
2. To share knowledge, passion and fun between like minded people.
The museum has three goals:
1. History
To share the knowledge of history of Decorative Painting in the world from Egyptian and Roman periods to the present time.
We intend to study the steps; the styles; the Masters; the paintings; the museum and to find where we can see the pieces of Decorative Painting.
2. Legacy
We want to organise researches of Decorative Painting so that we don’t forget the artists over time.
With the community of decorative painters in the world today using the Internet, it’s possible to share information for a rebirth of talented artists like Jane Sophia Robson (1846 – 1907) from Yorkshire, U.K.
Another talented artist was Margaret Butterworth. She was primarily a miniature painter and was elected a member of the Royal Miniature Society in 1897.
If you were to Google these artists today, you will not find any information on these 19th century artists.
3. Inventory
The greatest collections of decorative painting in the world today are not in museums but in homes – private collections.
The Palette Museum is a new space to share high quality images of historical decorative paintings for the general public.
You can also visit the museum at http://www.palettemuseum.com/.
Last Updated (Saturday, 21 August 2010 02:03)
Artist Spotlight- Jan Van Huysum 1682-1749
The accepted technique for many Dutch Floral Still-life of the Golden Age was grisaille. Grisaille are layers of grays applied to objects to establish form and compositional light. Sometimes this grisaille was applied over a light imprimatura ground (base coat) following a process known as the “Flemish Technique”. Many Dutch Floral painters however changed the “Flemish Technique”. Masters such as Jan Davidz de Heem and Abraham Mignon would change the ground to red oxide, or brown oxide depending on the forms within the composition. Flowers were mostly painted against red-orange grounds while fruit were developed over brown oxide grounds.
Rosemaling - Feel The Stroke - Be The Stroke
An Artist's Journey
5 years ago I taught a floral after I spent some time studying the Dutch master van Huysum. His technique really changed me as an artist and started me on this further journey and study. Today, I am different artist.
Registering For Membership in the AcademiesHello Painting World,
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- Confessions of a Rosemaling addict!
- First Impressions of Rosemaling: by Brenda Hozjan
- Confessions of a 2nd year Rosemaler
- A Study in Styles
- Grey To Color- A Mignon Study
- It Is Not Blue- A Limited Palette
- Painting with the Anders Zorn Palette
- Australian Bird Reference Photos
- Coast 2 Coast Mississauga Ontario
- Photo Gallery Opens For Testing




You know it was actually one year ago that I attended at BBQ at David and Martha's and while there I saw a few of Georgia's Rosemaling pieces from David's seminar. Georgia felt that I should give it a try. Well a few weeks ago I attended my first Rosemaling seminar at David's. I have to admit that I really felt that I was a little out of my element as I had never attempted any form of Rosemaling (lots of stroke work) but was pleasantly surprise that I made it through the seminar without having to log time with my therapist. Well, I did not freak out, have any sort of melt down or throw my brush across the room from frustration. I remained calm, cool and very well behaved (Martha was very happy that I behaved).
I have studied various painting styles for years. I consider myself an artist, crafter, tole painter, folk artist and academic artist. I love to paint and decorate all styles. As long as it uses paint and a brush, I will do it. Sometimes a little glitter now and then......